The director Lonny Price has achieved a remarkable transformation with “Dirty Dancing: The Musical.” The stage adaptation provides a unique experience compared to the movie. Historically, this title — highly recognizable and steeped in nostalgia — has lacked theatrical respect and quality. Originating from Australia and the U.K., I reviewed a U.S. version many years ago, but it was unremarkable. Audiences back then attended a production with lackluster video effects and performances that seemed aimed more at cashing in on fans of the movie than providing artistic value.
The new touring production, which opened at the Nederlander Theatre in Chicago, offers something different. This version could perform well on Broadway, especially in a short summer run, similar to the successful “Mamma Mia!” slot. Choreographer Darrell Grand Moultrie, known for Beyoncé’s tour, has enhanced the dance aspects while preserving the period feel and the show’s connection to social dancing, a critical element of the film’s success.
The music in the upgraded show now includes classic tunes such as “Fly Me to the Moon,” reflecting an authentic enjoyment of the American songbook. Moultrie has crafted routines that depict both the skilled dance ability of the Kellerman’s resort patrons and the youthful energy of the staff quarters. Lonny Price has judiciously cast the production with an Equity company full of talented performers who take their roles seriously and who excel in dance.
For “Dirty Dancing,” the characters Baby and Johnny do not sing; vocal performances are handled by supporting characters, allowing Price to select primary cast members based on their dancing prowess. Blake Zelesnikar portrays Johnny, with a background in “American in Paris,” and Olivia Cece, a former “Moulin Rouge” Broadway dancer, plays Penny. Annalese Starzec, who bears a striking resemblance to Jennifer Grey, embodies Baby with charm and humor, a role perfectly suited for a dancer of her stature.
The original script by Eleanor Bergstein remains unchanged, though a fresh perspective on the screenplay might enhance its theatrical elements. Nonetheless, with Brett J. Banakis’s elegant and non-cliche set design highlighting the Catskills’ beauty, and competently delivered lines, the production appears more dignified.
Also worth mentioning is Bryan Fenkart’s performance as Jake Houseman. He provides a subtle homage to Jerry Orbach’s original portrayal, adding a touching dimension. Powerful vocals from Ashley LaLonde and Erick Pinnick further elevate the production.
This stage adaptation remains true to its source material, “Dirty Dancing,” the movie. The enduring appeal of this narrative draws fans repeatedly to the experience. If you find yourself among those fans, you’ll likely enjoy this refreshing rendition.
Review: “Dirty Dancing” (3 stars)
When: Through Sept. 20
Where: Nederlander Theatre, 24 W. Randolph St.
Running time: 2 hours 25 minutes
Tickets: $40-$155 at 312-977-1700 and broadwayinchicago.com
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