Chicago playwright Netta Walker presents a powerful new drama, “Hayward,” that draws inspiration from both “Electra” and “Hamlet.” The central character is guided by her father’s ghost and exhibits a fierce determination to avenge his death, similar to themes found in Sophocles’ works. Walker’s play, a 90-minute world premiere, is designed for Gift Theatre actors willing to engage deeply in the performance space at Steppenwolf’s 1700 Theatre.
“Hayward” finds its place alongside classic American family dramas such as Tracy Letts’ “August: Osage County” and Branden Jacobs-Jenkins’ “Purpose.” The setting is the real, Black American South, which Walker notes in the script. This new play explores the intense dynamics of a family unraveling after a death, a theme deeply ingrained in American theater.
The play’s main character, Luna, feels authentically connected to the playwright. The emotional depth suggests that Walker drew from personal experiences rather than pure imagination. “Hayward” is less structured than Walker’s previous work, “Keerah,” at Definition Theatre, which was noted for its disciplined approach.
Steppenwolf’s venue suits Walker’s intense storytelling. Director AmBer Montgomery enhances the experience with relentless intensity. The cast delivers extraordinary performances, notably Sydney Charles, who portrays a recovering addict. The realism of her scenes visibly impacts the audience.
Veteran actor Alfred H. Wilson, known for performing August Wilson monologues, tackles the role of Pastor Johnson, who finds himself amidst chaos. He deftly navigates through the fraught atmosphere, supported by strong performances from Victor Musoni, Gregory Fenner, Shanésia Davis, and Watson Swift.
However, the standout performance belongs to Ireon Roach as Luna. In a pivotal scene, her character sits paralyzed by emotion, caught between family love and deep-seated rage. This portrayal is a profound depiction of trauma beyond simple labels like depression.
While “Hayward” is impactful, there’s room for refinement. The opening scene leans more toward humor and could benefit from the same dramatic intensity that defines the rest of the play. Also, the motives of Pastor Johnson could be made more explicit. As Walker matures as a writer, these elements will likely evolve.
Despite minor imperfections, audiences will resonate with the characters’ relationships and conflicts, even if they do not share the same cultural backgrounds. “Hayward” aligns with the energy found in “A Strange Loop,” showcasing an artistic soul amidst chaos. This play is a must-see for its raw portrayal of family dynamics.
Review: “Hayward” (4 stars)
When: Through Nov. 22
Where: Gift Theatre in Steppenwolf’s 1700 Theater, 1700 N. Halsted St.
Running time: 1 hour, 30 mins.
Tickets: $45-$50 at 312-335-1650 and steppenwolf.org
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