The electro-pop duo Sylvan Esso, composed of Amelia Meath and Nick Sanborn, recently released their fifth studio album, Ow ∞, on Sept. 11 under their label, Psychic Hotline. Initially pulling their catalog from Spotify in 2023 due to the former CEO’s investment in Helsing, a defense technology company, they returned in 2025. This marks a new chapter for the duo as they navigate the complexities of the music streaming industry.
Protest and Its Impact
Removing their catalog felt morally right to Meath and Sanborn, yet it revealed the challenges of avoiding a powerful platform like Spotify. Many artists questioned the ethics behind Spotify’s business ties, but Sylvan Esso was among the prominent acts to take a stand publicly. The absence impacted every part of their career, from financial earnings to album accessibility.
The Complexity of the Music Industry
Meath felt strongly about self-releasing their music and wanted everyone to hear Ow ∞. By opting out of Spotify, they accidentally created access barriers. Sanborn compared the situation to resisting monopolistic systems which can greatly affect a career. Recognizing that streaming is vital for exposure, they concluded that being off Spotify wasn’t sustainable.
Returning to Spotify
Despite their absence, Meath and Sanborn never saw a change in Spotify’s practices. They decided to return to the platform not because of improvements but due to the realization that complete removal wasn’t a sustainable long-term solution. Meath notes the importance of reflexivity and changing one’s stance when justified.
Understanding Modern Protests
Sanborn reflected on protest efficacy, emphasizing that taking a stand must not always be flawless to make an impact. Meath observed that reflecting on their action inspired others to question their relationship with Spotify. The sentiment resonates with artists determining how to assert their morals in the face of systemic challenges.
Advice for Fellow Artists
Reflecting on their decision, Meath and Sanborn emphasized that the action wasn’t meant to inspire others to follow blindfold; it was about individual choice in the face of monopolistic pressures. They encourage listeners to support artists financially through purchasing albums or concert tickets in advance.
In summation, Sylvan Esso’s journey underscores the complex relationship between artists and major streaming platforms. The duo illustrates the ongoing struggle for ethical business practices and allows for reflection on the ideal paths toward supporting musicians today.
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