The trailer for the Focus Features horror film Obsession, starring Michael Johnston and Inde Navarrette, highlights a remarkable box office success. Directed by Curry Barker, this low-budget film is outperforming big-name productions.
Strong Earnings Despite Budget Constraints
Obsession was initially produced with a budget of less than $1 million. Its opening weekend projected earnings were below $10 million. Surprisingly, it grossed over $17 million initially and surged to $24 million—reaching $30 million during Memorial Day weekend. This represented a 30% increase, surpassing films like The Devil Wears Prada 2 and the Michael Jackson biopic Michael. The film even outperformed The Mandalorian and Grogu on a midweek day.
The movie has earned over $70 million globally and now forecasts indicate it could surpass $100 million. Its success challenges the notion that star power is crucial to draw audiences. Directed by a 26-year-old content creator Curry Barker, and produced by Jason Blum after debuting at the Toronto International Film Festival, the film showcases emerging talents.
Newcomers Steal the Show
The cast features rising actors such as Michael Johnston and Inde Navarrette, with Andy Richter in a minor role. Navarrette’s performance as the character Nikki is noted for its intensity, drawing comparisons to Kathy Bates’ role in Misery.
Erik Childress, a Rotten Tomatoes columnist, attributes the impressive box office performance to effective marketing by Focus Features. Good word-of-mouth boosted its longevity beyond the debut weekend.
Star Wars Struggles to Maintain Momentum
In contrast, the Star Wars spinoff The Mandalorian and Grogu earned $98 million domestically during Memorial Day, signaling a weaker opening compared to previous Star Wars films like Solo: A Star Wars Story. This marked the first Star Wars theater release since 2019.
Directed by Jon Favreau, the film features stars like Pedro Pascal and Sigourney Weaver. Despite its strong cast and association with the beloved franchise, it faces challenges inherent to adapting a continuation of the Disney+ series.
Disney’s increased focus on streaming Star Wars content may have shifted audience perceptions from cinematic releases to television narratives. Still, the film’s reported $165 million budget is relatively modest for a summer blockbuster.
Childress believes it’s premature for Disney to worry about the Star Wars franchise’s future. He suggests that if the movie maintains steady earnings, it could still reach substantial domestic and international revenue, though not necessarily as a blockbuster hit.

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