The Chicago International Film Festival (CIFF) is gearing up for its 2026 event, running from October 14-25, with a novel addition: a physical media fair. This concept emerged after last year’s success with the mobile Criterion Closet, a truck-based version of Criterion’s DVD closet from New York, which had captivated festival-goers.
The idea of a media fair might appear counterintuitive for a film festival often seen as an occasion to watch movies in theaters. Yet, it reflects the evolving nature of modern film festivals. Festival-goers often appreciate both physical media and theatrical screenings, contrasting with the less engaging routine of browsing streaming services.
Festival Artistic Director Mimi Plauché noted the intersection between theater experiences and owning physical copies, inspiring CIFF to connect audiences with vendors dedicated to sustaining physical media. The fair will feature roundtable discussions and a swap event where attendees can trade DVDs, Blu-rays, and even VHS tapes.
CIFF aims to explore this initiative further, gauging interest for future years. While showcasing new films remains a focus, the festival also highlights classic cinema. This year’s Black Perspectives program celebrates two landmark queer Black films: “The Watermelon Woman” and “Chocolate Babies,” marking their 30th anniversaries. Both directors, Cheryl Dunye and Stephen Winter, will engage in live discussions.
The festival underscores a sense of discovery, urging audiences to embrace unfamiliar films. According to Plauché, encountering unexpected gems is a cherished festival experience. Long-time attendees often recall impactful films seen decades ago, exemplifying the festival’s lasting influence.
Plauché recommends several standout films:
- “Club Kid” (Oct. 14): Jordan Firstman stars as a New York club promoter facing the challenges of fatherhood. This opening night film blends humor and heart.
- “Finding Your Laughter” (Oct. 15): A documentary on comedian Arlieta Hall using improv techniques to care for her father with Alzheimer’s.
- “All of a Sudden” (Oct. 16 and 17): Directed by Ryusuke Hamaguchi, this film explores elder care through the eyes of a facility director.
- “Tender Loving Care” (Oct. 17 and 25): Mike Leigh’s film about social workers navigating human relationships, marking his reputed last piece.
- “The Echo Chamber” (Oct. 20): Bernardo Bertolucci’s final script, focusing on a music producer’s struggle and evolving relationships, starring Luca Marinelli and Alicia Vikander.
- “The Liberation” (Oct. 23): Carrie Coon portrays a mother caught in a cult, inspired by director Guy Nattiv’s family history.
- “Behemoth!” (Oct. 25): The closing night film by Tony Gilroy, centered around music composition, featuring Pedro Pascal as a cellist.
Overall, the festival encourages attendees to engage with diverse offerings and explore new cinematic experiences.
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